Gre za prvo tovrstno monografijo na Slovenskem, saj problematika češko-slovenskih kot tudi drugih slovanskih (češko-slovaško-slovenskih) stikov na glasbenem področju do sedaj še ni bila sistematično in celostno obravnavana. Monografija govori o najpomembnejših čeških, slovaških in slovenskih glasbenikih, ki so delovali na Slovenskem ter s svojo vsebino posega tudi na druga področja slovanskih kultur na Slovenskem. Tako v uvodu obravnava nekatera proslovanska gibanja kot npr. panslavizem, avstoslavizem in neoslavizem v 19. stoletju znotraj tedanje skupne domovine Habsburške monarhije. Med več kot 50 češkimi, slovenskimi in drugimi slovanskimi glasbeniki bi v omenjeni monografiji vsekakor veljalo izpostaviti češkega skladatelja Františka Josefa Benedikta Dusíka kot avtorja prvih simfonij na Slovenskem, avtorja prve slovenske opere “Gorenjski slavček” Antona Foersterja, znamenitega češkega dirigenta Václava Talicha, ki je svojo dirigentsko pot začel v Ljubljani, kasneje pa s praškimi filharmoniki postal eden največjih čeških dirigentov vseh časov ter številne druge, katerih delovanje na Slovenskem monografija detajlno obravnava. Knjiga je redigirana verzija raziskave, ki je nastajala kot doktorska diisertacija v okviru Muzikološkega inštituta ZRC SAZU.
COBISS.SI-ID: 72703745
The author conceived the book as a series of perspectives discussing the European symphonic creativity of the 19th century. He is concise and fluent in connecting two criteria: a number of works still firmly embedded in the European symphonic repertoire emerges in front of us and. And they - last but not least, due to the still unshaken cultural appeal of the Western world - are the core programs of symphonic concerts also around the world. On the other hand, Barbo's book offers a selection of the symphonic repertoire to draw the musical, aesthetic and cultural history of the time.
COBISS.SI-ID: 262728192
The book publishes the results of the church music research of the 19th century in Slovenia - a genre with the widest circle of listeners. Author focuses on the reformative strivings that sporadically emerged from the beginning of the 19th century and culminated in the Cecilian movement in the last decades of the century. The analysis was even more iteresting because it sheds light on a number of aesthetical and social variables that forged the musical life of that period while the creative as well a performing activities belong to the common patterns of shaping well-founded hypotheses. `
The book was created with one aim in mind: to offer the most accurate reconstruction of the repertoire policy of the Philharmonic Society in Ljubljana, the guidelines of their operations, their concerts concerts that were given as Academies, the most helpful being the preserved concert repertoire and music catalogs. Therefore, it is surprising that none of the researchers did not explicitly dealt with preserved catalogs Philharmonic Society, as they are an excellent primary sources from which we can draw a wealth of new information. Oldest of them is the catalog of 1804; Dragotin Cvetko first discussed it and partially reconstructed it. A similar partial analysis can also be found at Primož Kuret. Thus this book provides a comprehensive analytical see the program guidelines in 19 century, as revealed by the catalogs of the Philharmonic Society.
COBISS.SI-ID: 272679424
The contribution analyses one of the main people of the "long" 19th century in Slovenia.
COBISS.SI-ID: 19047944