This essay investigates the dynamics of “partnership” between the scholar and the social subjects involved in ethnomusicological research, with an aim of rethinking the scholar’s role in advocacy and social justice. On the example of Beltinci Folklore Festival, it questions the very notion of applied work and explores existing concepts, values and possible futures.
COBISS.SI-ID: 32528173
Article addresses the visual and spatial aspects of musical performance not just as makers of already structured discourses, but elements which have a strong formative role in constructing new conceptualizations of the very notion of musical performance. Staging, which was introduced as a part of the new socialist cultural politics, is investigated as spatial process, by which the power relations are performed and new discourses of musicking are reproduced.
COBISS.SI-ID: 32530477