Substantial monograph on Slovene impressionism and Slovene art at the turn of the 19th into the 20th century. It was well received in the press as well in the scientific milieu; the book will be reprinted already this autumn.
COBISS.SI-ID: 262462464
Analysis of the influence of political relations between Dalmatia and Italy on the history of art; the findings are considered important for a new evaluation of protagonists of art in Dalmatia.
COBISS.SI-ID: 50061410
The article is dealing with the problem of the Venetian period of Agostino di Duccio and addresses the problem of the role of Tuscan sculptors in introducing the Renaissance principles in the sculpture of Venice and the Adriatic area. Special attention is dedicated to the altar in the chapel of Miani (Frari), its chronology, potential Agostino di Duccio’s share in the execution, and the proportion of other sculptors, among whom was identified contribution of Antonio Rizzo, protagonist of the Venetian early Renaissance sculpture.
COBISS.SI-ID: 49259874
In this paper, using archival sources held in the Austrian State Archives, Historical Archives Ljubljana, Unit Idrija and the Parish archives Idrija is presented architectural history of Church of st. Barbara in Idrija, which was in 1945 in a bomb attack severely damaged and in 1950 demolished. The Church was started in 1622. The patron was mine manager in Idrija Annibale Bottone, as the place until just possesses a wooden church. Construction, which is financially supported by the Emperor Ferdinand II., led to Idrija invited builder. At the same time the miners began to build a church Holy Trinity, which was entrusted to local master Knez. Plan from 1750, which was created in the desire for rebuilding Barbara's Church, good shows stylistic differences of the two buildings. St. Barbara was not only stylistically advanced from the beginning, in 1741 she got a bell tower, which was one of the first sacral monuments in Carniola, built under the influence of Viennese baroque style, the author was probably Johann Georg Schmidt.
COBISS.SI-ID: 2249171
A recently discovered late Gothic relief of St Paul in a private collection, which can be attributed to the Carinthian carver of two reliefs in Zgornji Tuhinj, throws new light on the workshop of the painter Veit in Kamnik, who can be identified as the Master of the Krainburg Altar. The carver obviously used models supplied by Master Veit. Consequently, it can be surmised that at the time the carver worked in Carniola and was not based in one of Carinthian centres.
COBISS.SI-ID: 50919010