Four important sources for the Slovenian cultural historyare represented in the present critical edition: Trubar's Register ... aller windischen buecher (1560), Hren's Memoriale scribendorum (1605), Valvasor's »Anhang« from Slava vojvodine Kranjske (1689) and Dolničar's Bibliotheca Labacensis publica (1715–19). The edition presents some new translations and transcriptions; it includes literary historical studies and a bibliography.
C.02 Editorial board of a national monograph
COBISS.SI-ID: 249014528The aesthetization and abstraction of emotion in the Slovenian lyrical poetry of the 1970s and 1980s ia considered in the framework of recent transnational, paratactic, and polycentric understandings of modernism. It is also interpreted as a poetic reaction to the particular political Slovenian context of the "leaden 1970s".
B.03 Paper at an international scientific conference
COBISS.SI-ID: 30026797The essay evades genre classifications, but was nonetheless recognized as an independent genre. One characteristic of this genre is that it transcends the borders of literature and crosses its speech with the language of another art, philosophy, science, religion, or politics. The essay intervenes in given cultural sources with poetic writing, primarily authorized by the singularity of an individual’s existence, its enunciative position that enable the essayist writing to open up new relations between words, concepts, and experiences.
B.01 Organiser of a scientific meeting
COBISS.SI-ID: 247987712The eZISS library of scholarly editions links the traditional methodology of philological critical editing with modern technology, which offers varied kinds of support to the scholarly investigation of texts. The application of international standards for text encoding allowed us to publish electronic text-critical editions of a number of historically important works of Slovene literature. The paper outlines some of the approaches that made this possible.
B.03 Paper at an international scientific conference
COBISS.SI-ID: 30664749Since Kristeva’s and Derrida’s readings of Romeo and Juliet the play’s political implications have become a commonplace of Shakespeare studies. However, these “antiessentialist” readings not only inspire diametrically opposed further interpretations (from Greenblatt’s to Bloom’s), but are themselves comparable, say, to Girard’s “essentialist” reading. This forced choice can be rejected by the claim that the play is political precisely in its intimacy.
B.03 Paper at an international scientific conference
COBISS.SI-ID: 30880045