The contribution on A. Tarsia (1643–1722) from Koper was for the international circle of specialists a new subject, even though its real novelty lies above all in the hypothesis on his early music education gained within noble and academic circles. He continued to study music through performing and copying pieces by other composers. New are also first hints on his secular music activities. The paper was an important contribution of the Slovenian musicology to the general knowledge of Italian sacred music of the 17th c. and a welcome and necessary international promotion of national heritage.
B.03 Paper at an international scientific conference
COBISS.SI-ID: 30604077