The collection White Carniola and Kostel: A Selection of Original Recordings of Traditional Music is based on audio recordings from the Institute of Ethnomusicology made in southern region White Carniola from the late 1950s to the present and the goal of this CD was to present as many White Carniolan places and thus achieve greater diversity and a more comprehensive sound image of the region and the function of the folksongs in everyday and fest days.
F.27 Contribution to preserving/protecting natural and cultural heritage
COBISS.SI-ID: 243227136Slovenian folk song tradition has often thematicized the motif of pilgrimage, pilgrims, and pilgrimage sites. In addition to pilgrimage songs, which are a special type of devotional song, there are also some legendary ballads that sing of pilgrimage routes, people, and pilgrimage shrines.
B.03 Paper at an international scientific conference
COBISS.SI-ID: 27595821Through the content of individual songs and the analysis of formal structures and melodic elements, the lecture presented a broad variety of cultural elements that were transfered from the traditions of other nations to Slovene tradition, and which influenced it in one way or another. It also presented the original subjects, themes and motifs that have been transferred from Slovene folk song heritage to the tradition of other European country.
B.05 Guest lecturer at an institute/university
COBISS.SI-ID: 25817133Scholars from Slovenia and abroad turned their attention to the role and changing image of folk song from 13 to 15 April 2005 as part of the symposium The Folk song As a Social Chalenge. The occasion for this academic gathering was the centenary of a great collection project - The Folk Song in Austria.
B.01 Organiser of a scientific meeting
COBISS.SI-ID: 24912685The article represents different ways of Slovenian traditional polyphony and Slovenian ‘soundscapes’. Today's image of those ‘soundscapes’ is based on first audio field recordings, that means on the traditional singing situation from the middle of the 20th century. Today, those audio examples represent the idealized, formally proper and prevalent image of Slovenian ‘soundscapes’. But the real situation is quite opposite: on one hand the traditional singing today still exists and on the other hand, more or less transformed new singing forms appear.
B.03 Paper at an international scientific conference
COBISS.SI-ID: 28747565