The lecture analyses the classification of refugees in Austro-Ogre during World War II, based on social, national and religious criteria. She shared the refugees in a well-cared way (bemittelte) and uncaring (unbemittelte), of which the accommodation of refugees in diaspora, colonies and refugee camps was. The tendency of the authorities was that for practical reasons, they kept together national and religious groups, and the social component was driven by a decision on accomodation.
B.04 Guest lecture
COBISS.SI-ID: 70803810The paper discussed the conditions of the Isonzo war zone in the period between the end of the battles on the front and the end of the war between Italy and Austria-Hungary. The topic has not yet been researched in depth and raises a lot of questions that have not yet been answered properly, i.e. the physical conditions of the territory, the demographical conditions, the political conditions, the pretensions of the Italian occupying authorities to exercise their authority over the former occupied territories despite the (temporary) withdrawal of the offices to Padua. The physical conditions had been marked by a sheer devastation and the first steps to reconstruction had been made during the intermediate period between Caporetto and Vittorio Veneto. Simultaneously the returns of the refugees had been conditioned by the state of the destruction and reconstruction. The administrative situation was rather confused, as most of the local and even regional authorities were still in refugeedom and were not able to operate efficiently.
B.04 Guest lecture
COBISS.SI-ID: 42438189The paper discussed the forced displacements of Slovenian population during the Second World War in the context of definition of genocide. The Polish jurist and linguist of Jewish decent Raphael Lemkin was the author of the term Genocide and he gave the definition of the term in his book Axis Rule in Occupied Europe (1944). Lemkin was the leading authority in the field of (Nazi) violence and the rules of law and he listed those nations that were exposed to German genocidal policy – the Jews, Poles, Slovenes and Russians.The focus of the German occupiers of the Slovenian territory was to follow Hitler's order 'Machen Sie mir dieses Land wieder Deutsch!', by means of compulstory evictions of the Slovenes to Serbia, Germany and the Province of Ljubljano, which was annexed to ItalyOne of the fundamental forms of implementation of this plan was the forced eviction of the Slovenian population to Serbia, Germany and Ljubljana, which was anecdotal by Mussolini's Italy. In this context, the contribution addressed the refugee problem as one of the fundamental factors of the achievement of Nazi genocidal purposes over the Slovenian population.
B.04 Guest lecture
COBISS.SI-ID: 3978612The lecture presented the fate of the dance at the Slovenian during World War II and during the first years after it. The synthesis showed that, after 1918, the Slovenian space left many noblemen who, either because of their proselytism, did not want to live in the Yugoslav country or were too affected by the agrarian reform. Nevertheless, some noblemen remained, especially those living in this room for centuries and still kept considerable possessions. In Slovenian, they also met another world war, which, as a rule, were actively not involved. Material research has shown a number of cases where nobility members openly rejected Nazism or even supported liberation movement. Nevertheless, many noblemen were killed during the war, and after the war, almost all of them were declared Germans and, consequently, exiled from the Slovenian space, and their possession was nationalised.
B.04 Guest lecture
COBISS.SI-ID: 45516589The contribution presents the results of the analysis of the representation and interpretation of the design of refugees in the art of art at the time of the first world war in Slovenia. It focuses on the aspect of the use of the motif in the visual propaganda of the first world war (posters, postcards, periodicals) and to deepen the understanding of the causes of the relatively rare occurrence of a design in the artistic creation of domestic artists. In doing so, it takes into account the context of state-guided processes of war absolute and propaganda and, in the chosen case, assesses the quality of artistic interpretation of the design and its echo. The specific representation of the motif of refugees at the time of the first world war in Slovenia has not yet been the subject of an in-depth scientific examination, and therefore the contribution offers a first round review, within which further research on this issue can be made.
B.04 Guest lecture
COBISS.SI-ID: 45517869